by musiqaadmin | May 6, 2017 | News
Earlier this year, Aaron Copland House released Secret Alchemy an album of four chamber works by Musiqa composer and artistic board member Pierre Jalbert. San Francisco Classical Music Critic Joshua Kosman wrote the following review: “The American composer...
by musiqaadmin | Apr 25, 2017 | News
As part of its 15th anniversary season celebration, Musiqa announces the release of the world premiere recording of Sebastian Currier and Sarah Manguso’s Deep Sky Objects, a work the organization commissioned and premiered. Scored for soprano, piano quintet and...
by musiqaadmin | Apr 24, 2017 | Press Announcements
Musiqa, two-time winner of the Chamber Music America/ASCAP Award for Adventurous Programming, presents a free, informal loft concert, Atlas, Plural, Monumental at the Contemporary Arts Museum on Thursday, May 4 at 6:30 PM. The evening’s unique program, which was...
by musiqaadmin | Mar 23, 2017 | News
Inspired by a true story, North Pond, a new chamber musical, follows Joshua Knight, a hermit and thief who survived alone in the woods of Maine for 27 years, and Chelsea Marlowe, a budding reporter who tries to use his story as her big break. The story is told through...
by musiqaadmin | Mar 2, 2017 | News
Houston Public Media has partnered with Musiqa and other local concert organizations to produce Encore Houston. Encore is a weekly local concert music program that celebrates Houston’s vibrant performance music community. Episode 9 of Encore Houston features...
by musiqaadmin | Mar 2, 2017 | News
Marcus Karl Maroney is currently Assistant Professor of Music at the University of Houston’s Moores School of Music and a member of Musiqa’s Artistic Board. He studied composition and horn at The University of Texas at Austin (B.M.) and Yale School of Music (M.M.,...
by musiqaadmin | Mar 1, 2017 | News
Musiqa will perform Twilight Music by composer John Harbison, as a part of American Trios!, March 11, the Midtown Arts and Theater Center Houston. Program Note Twilight Music (1985) was written directly after my first String Quartet: both pieces move toward an...
